Proxy Painting

Abstract

For archaeologists it is often desireable to present statues in their original coloration. With projection mapping real-world surfaces are augmented by digital content to create compelling alterations of the scene's visual appearance without actually altering or even damaging the object. While there are frequent advances in projection quality, content creation is still a challenging and often unintuitive task, especially for non-experts. In our presented system we combine the advantages of digital content creation such as rapid prototyping with the convenience of an analog workflow. Users paint on smaller versions of the projection mapping target, employing real-world brushes and pencils, while the results are presented live on its large counter- part. We further demonstrate the integration of our system into a state-of-art game engine. By leveraging a powerful rendering and material workflow we make creating compelling materials and lighting situations an intuitive experience.

Citation Style:    Display Alpha ACM SIGGRAPH IEEEtran Publication

Proxy Painting. Vanessa Lange, Philipp Kurth, Benjamin Keinert, Martin Boß, Marc Stamminger, Frank Bauer. Eurographics Workshop on Graphics and Cultural Heritage (GCH), 2018.Vanessa Lange, Philipp Kurth, Benjamin Keinert, Martin Boß, Marc Stamminger, and Frank Bauer. Proxy Painting. In Wimmer Michael Sablatnig Robert, editor, Eurographics Workshop on Graphics and Cultural Heritage, pages 97–104. The Eurographics Association, 2018.Lange, V., Kurth, P., Keinert, B., Boß, M., Stamminger, M., and Bauer, F. 2018. Proxy Painting. In Eurographics Workshop on Graphics and Cultural Heritage, The Eurographics Association, W. M. Sablatnig Robert, Ed., 97–104.V. Lange, P. Kurth, B. Keinert, M. Boß, M. Stamminger, and F. Bauer, “Proxy Painting,” in Eurographics Workshop on Graphics and Cultural Heritage, W. M. Sablatnig Robert, Ed. The Eurographics Association, 2018, pp. 97–104. [Online]. Available: https://www.lgdv.tf.fau.de/?p=2264 Video BibTeX